The Fortnight | Bon Jovi 1993 04 09 | Rotterdam, The Netherlands (first night) | Concert Reading

Today’s card is:
The Fortnight

Bon Jovi
9 April 1993

Rotterdam
🏟️ Keep the Faith Tour

🎛️🎶🎧->
https://www.youtube.com/watch?v=WfQTmF1-ONg

A rare video registration remastered by YouTube channel hAnD90, with extra credit in the description box of the video on how the result was achieved:
one of my best long-standing Bon Jovi pals sat down and substituted the sound with one from an external tape. With both analog sources running off speed, it was a close-to-impossible task, but he managed to keep it close to working well. Special thanks, Ronny!

And my personal note of appreciation for integrating the pro-shot clip from You Give Love A Bad Name at 11:33, broadcast by Countdown Live (the V in the upper left screen is from the broadcast organization Veronica)

This new video version of
Bon Jovi | Live at Sportpaleis van Ahoy | Diehard Recording | Rotterdam 1993
Was uploaded on the 5th of October 2024.

 

Backstory 

9 Apr 1993 Rotterdam

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It was 1993, and Bon Jovi had not visited the Netherlands since their bootleg bestseller (the concert has been recorded on video and is one of the most well-known shows from the New Jersey Syndicate Tour) concert at the same venue, late 1989.
That concert too, was one booked by popular demand, since the band had visited Rotterdam already in the earliest weeks of the New Jersey tour.

So they knew Holland was digging them;
The question was, after four years and with the musical landscape having changed from rock to techno and grunge, would the Dutch still want Bon Jovi?

Late 1992, the band had broken their 1990-1992 silence with their comeback album Keep the Faith, which had a surprisingly different sound.
The single Keep the Faith is generally regarded as the closest they’ve ever come to dance! Due to the beat.

And Jon looked different too: His hair was cut, and he was sporting flanel shirts.

With this first single and the new look Bon Jovi had thrown the decade a few boons. And  it worked! Coupled with an excellent album and a tight promotional tour where they performed in tv studios all over the world including Dutch Countdown;
Bon Jovi was in!

Perhaps another reason they managed to survive the 80s had also been the allure of having been the rock band that had retreated from the public view those first years of the decade.
They had not desperately tried to keep up to make the first mark and win the decade.
Instead they had given the decade time to find its feet, and had had time to adjust and see what they wanted to pick up, and what they’d leave in the 80s.
Their management, for starters.

Whether it was the hitsingle, the new album, the late 1992 Countdown performance or the Dutch liking Jon’s new looks?
It was more than enough to sell out the 9th of April in a heartbeat, and a second date on the 23rd of April was immediately scheduled.

So when they took the Ahoy stage for the first time in four years, they knew they would be back in two weeks.
Something which Jon refers to frequently, during the show.

And from the description box of an earlier upload of hAnD90:
The band was clearly thrilled by the overwhelming demand (for tickets) as well as Richie being fueled by the visit of his friend Jimmy Page that night. As it was the standard for Bon Jovi’s shows at that venue, the energy of band and crowd was to go through the roof!

The encore closes with: “We’ll see you guys in two weeks!
And then they throw in an extra song:
An acoustic version of Never Say Goodbye.
Not yet, anyway. 

 

The Fortnight

the card

The Fortnight Card means you are weaving your own timeline, most likely over the span of two weeks but it could be any amount of time you are able to create an arc for.
Like a storyteller tying two events together, or a painter creating a diptych, an altar piece of two hinged wooden panels that can be closed like a book.

You’re giving a performance, creating an experience for someone, or making a piece of work but you’re also holding something back.

You’re giving your audience something to look forward to, leaving them in the sweet bliss of a promise of something yet to come.

You’re whispering in their ear:
“We’ll do this again. Soon.”

~Suzanne Beenackers
Rock Star Writer

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about concert readings

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Founded on the 4th of December 2024, Concert Readings are the Bon Jovi equivalent of a Tarot reading.

Can we find the stories still buried deep inside the bootlegs?
Can we elevate the ones already told a thousand times?

This series is intended to run for ten years, covering a good part of the available 20th century concerts.
And who knows?
Maybe from 2035 up, we’ll do what Jon calls a round two!
Covering the tours 2000 – 2010.

Map out your future but do it in pencil.
Jon Bon Jovi

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Be fearlessly contemporary! | gem sized post# 4 (the end) about Bon Jovi’s docu series

Night had set over the Mexican crowd as the wind carried Jon’s words away.
34 Years later the director would use a snippet of the speech, and chose the Thank you, Goodnight reference, as his title.
But the rest of Guadalajara’s speech would go unused.

But maybe, just maybe, rock n’ roll was never about that one phrase that clicked.
Not about those moments when your words managed to touch eternity.
Not about that time you made the right decision, or about when you smoothed out the rough patches and you created something that was perfect.

Maybe rock n’ roll is in the one hundred women that should have been a perpetually growing number.

In the guitarist like the Chinese nightingale;
Replaced by the emperor for a mechanical one, trimmed with jewels. Forever singing the same song.

Maybe rock n’ roll is not in wanting to matter, but in fearlessly being contemporary.

Saying things that will be forgotten, before the sun will rise the next day.

To speak up and to commemorate the political riots, that had surrounded the concert, for the 33.000 people who had waited the whole day for the second show at Estadio Tecnológico in Guadalajara.

To keep talking, as if in an endless conversation, locking in each and every one of the 20.000 people at the the Alpine Valley Music Theatre, East Troy, as if it’s just the bunch of you hanging out in a bar.

And maybe rock n’ roll is thanking the enthusiastic and supportive audience at the Rosemont Horizon, over and over again, realizing that even if your career would end the next day because an unimpressed music journalist would write that one bad review that will be the death verdict of your career;
Tonight, you are with friends.

Maybe timeless rock ‘n roll is not created by hard work and planning ahead and doing the thing that’s wise, let alone by doing the thing that’s proper.

But by your heart, your soul, your whole entire being oozing, shouting, and roaring;
“YES!”

And loving every minute of it.

~Suzanne
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“Be fearlessly contemporary! “
is the fourth and final outtake from last week’s juggernaut post:

Messy 80s randomness versus the proper documentary
| Bon Jovi 1987 07 11 East Troy & Thank You Goodnight (2024)

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That was it! 

Thank you for reading my Rock Star Writer blog!
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my business since February 2023:

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playlist:
New in Bon Jovi concerts before 1997

 

Things the mighty These Days tour could not bring | gem sized post# 3 about the docu series

The documentary shows how on the 1995 These Days Tour, all band members had their partners and children with them on the road.
And from an objective standpoint, the 1995 tour with the families present, resulted in their best live performances.

But it will never be my, preference.

Less than three years apart, but to me the 1995 Tour recordings no longer have that all-in;
Ready-to-give-my-life-for-this GUSTO;
Not the Going to have to carry-me-off-stage-half dead URGENCY;
That were the hallmark, of 1993.

The perfection, and the properness of what is known in fandom as 1995’s
mighty These Days Tour?

Give me 1987’s random messiness, the rants about subjects I know nothing about;
Give me Richie’s birthday show performing “We’re an American Band” with Cinderella on stage.
Give me Jon risking his life flying over the crowd playing “Never Say Goodbye” from the back of the venue;
And give me the piano-driven Bob Seger cover Drift Away, melt me with your singalong sorcery.

And, instead of four episodes of docu series?
Give me that piercing thing of beauty that was Jon’s goodbye speech, wrapping up that gruesomely long New Jersey Syndicate Tour in Guadalajara, Mexico.

source (video): 
Bon Jovi Live Blood On Blood, Guadalajara 1990, Rare Pro Shot

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~Suzanne
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“Things the mighty These Days tour could not bring”
is the third gem-sized outtake from last week’s juggernaut post:

Messy 80s randomness versus the proper documentary
| Bon Jovi 1987 07 11 East Troy & Thank You Goodnight (2024)

NEW founded in MAY 2024: SUBSTACK
free memberships provided
other socials:

Instagram  Twitter Rock Star Writer Facebook Facebook Suzanne Beenackers Schrijver LinkedIn

That was it! 

Thank you for reading my Rock Star Writer blog!
Subscribe to the blog, to get them in your mailbox.
You can find the subscription button on this page, probably on the top right.

my business since February 2023:

Catacombe
become the Rock Star you were born to be

+ My new Dutch company

de Club
yoga voor generatie X

playlist:
New in Bon Jovi concerts before 1997

 

the dramatic arc “Thank you, Goodnight” the Bon Jovi story managed to miss | gem sized post# 2 about the docu series

I watched episodes 3 and 4, where the story picks up after the double concert at Guadalajara, and… nothing.

First I thought my lack of enthusiasm was just because the documentary had left out the whole Holy Month of April 1993- saga.
The part where Bon Jovi had survived their near-break-up, updated their looks, made the contemporary album, only to find their tickets were no longer selling and this could be the final year they were a bonafide touring band!

And the legendary gig at the Rosemont, March 5 1993, where they had to carry Jon off-stage, because he was no longer able to walk.
That’s how spent he was…..

FOLLOWED BY THE APOTHEOSIS OF THE HOLY MONTH OF APRIL HOLY F HOW CAN YOU LEAVE THAT ON THE TABLE?!

I get it you know, that chronologically speaking for the story to work, you cannot have a pivotal moment in spring 1993, if you’ve just made the near breakup years 1990-1992, the heart of your documentary series.
I know.

But how about doing it in a non-chronological way?
You close the series taking us back in time to that struggle in 1993, and the culmination of frustration, of giving it their all, of nearly dying on that fucking stage because they knew that having survived EVERYTHING?
They were this close, to being nothing….

This close, to being kicked back into the 80s, ruthlessly and to suffer the same fate as their peers, becoming relics of a great era.
A musical museum.

Do you agree the whole thing would have been lifted to an ENTIRELY DIFFERENT LEVEL, had the final 10 minutes been a flashback to that rocky-as-hell first months of 1993, where the band ended up fighting for their life once more, and Jon needed to be carried off stage because he had collapsed from exhaustion?

Having the series close cutting back to 1993, seeing Jon collapsing on stage in 1993, metaphorically indicating he had given his life to hold on to his place in the spotlights;

Would have made us understand.

.
~Suzanne
🇳🇱 Tikkie
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“the dramatic arc “Thank you, Goodnight” the Bon Jovi story managed to miss”
is the second gem-sized outtake from this week’s juggernaut post:

Messy 80s randomness versus the proper documentary
| Bon Jovi 1987 07 11 East Troy & Thank You Goodnight (2024)

NEW founded in MAY 2024: SUBSTACK
free memberships provided
other socials:

Instagram  Twitter Rock Star Writer Facebook Facebook Suzanne Beenackers Schrijver LinkedIn

That was it! 

Thank you for reading my Rock Star Writer blog!
Subscribe to the blog, to get them in your mailbox.
You can find the subscription button on this page, probably on the top right.

my business since February 2023:

Catacombe
become the Rock Star you were born to be

+ My new Dutch company

de Club
yoga voor generatie X

playlist:
New in Bon Jovi concerts before 1997