Livin’ On A Prayer | Live From London Series

bon_jovi-livin_on_a_prayer_s_2
Dutch single cover from Livin’ On A Prayer. Which I received as a gift on my birthday in 2019

On the evening before Easter, I ask of thee;
Do you think it was a coincidence “Livin’ On A Prayer” was Bon Jovi’s finite-no-going-back-now breakthrough?
Could it, for example, also have been called “Livin’ On Five Bucks” or “Livin’ On Love”?
Or was there a reason it was the song with the word prayer in the title that called on the Lord and touched our hearts?

That neither God, nor you and me, would have felt called if Tommy and Gina had been “Livin’ Hand To Mouth”.
Is it possible that in that song a prayer was said?
And because of that song a prayer was answered.

Tommy and Gina and Bon Jovi were given all their hearts desired, not because they only had their prayers to live on.
But because that’s the only thing that’s gonna work.

I know in that paragraph several more question marks could have been and probably should have been used. But they seemed obsolete. There was no reason to keep putting things in questions, because you get the gist;
Of course it’s not a coincidence.

All those who call on a higher power, consistently, will have their prayers answered. Whether you’re Tommy and Gina wishing to get Tommy’s job on the docks back and a nice pay raise for Gina, or Jon Bon Jovi wishing for world fame.
The procedure of how prayer works, is explained in several places in the bible. But since this blog is about Bon Jovi, I will happily choose for John!
(Jon’s original name is John, with an h)

John 16:24
Until now you have asked for nothing in My name; ask and you will receive, so that your joy may be made full.

Ask and you shall receive.
It is as simple as it seems, but in many cases the relationship with God was an aspect of religion. And religion in turn, was an aspect of things like social life, community, parenting. Education. Power structures where religion kept a hierarchy intact.
And in questioning the status quo, religion was thrown out by many. As was their relationship with God.
And asking and praying, was lost.

By time Bon Jovi was pounding the pavement, as a photo book I own eloquently worded their hard fought rise to fame, by that time hardly anyone grew up religiously.
In the Netherlands we got a good social security system, which meant that the task the church does in many countries, which is taking care of people who need help, was pretty much covered by government. So perhaps our secularization has been unintentionally thorough.
But in most Western countries, the church lost much of its power and less people called themselves religious.

In the mid-eighties, deregulation of the financial world brought forth a new generation of wealth, but at the same time unemployment for older industries such as steel, was on the rise.
In The Netherlands, those who are the age of Jon Bon Jovi meaning born between 1955-1965, have had an incredibly tough time trying to get a job, whether straight from school but also if you went to college.
There wasn’t any work.

And it was in that time, when there were no more churches to turn to for meaning and the world was weighed down by unemployment, that Bon Jovi brought the new gospel:
Livin’ On A Prayer.

It is their trademark song and every now and then it hits the charts again, inspired by a viral video of people singing along in the park; Or when a country is going through tragedy.
The message of Livin’ On A Prayer, is timeless.

Just that every 2000 years or so, we get a new John to bring the message.

.
~Suzanne
Rock Star Writer

new: LIVE FROM LONDON 

Livin’ On A Prayer
is the third chapter from
Live from London
Take the stage, rock your life and rule the world”
Click on “Live from London” to read all chapters.

Subscribe to the blog, to get these posts in your mailbox.
You can find the subscription button on this page, probably somewhere on the right.

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And follow my Bon Jovi 1995 Concert Series (Stories)
at Suzanne Beenackers YouTube

concert upload on Vimeo

All The Things You (n)Ever Wanted To Know About Bon Jovi at Wembley first night 1995

Woah!!! We’re halfway there!
Or we will be, after I give you this premium pro shot live recording of this first night in Wembley 1995!
It s a must see for every fan and beyond, and it will make the rest of this blog post, far more interesting 😉


I reviewed it for my YouTube channel
This is my 10 minute video review ->

#21 Wembley 1 st night June 23 | 1995 Bon Jovi Concert Series (Stories)
I had so much fun with it!
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However! 
“It” does not mean a balanced, thought through, overview with historical context of this first night of the legendary three Wembley concerts.
“It” means: 
Whatever came to mind, sitting under the tree in my first outdoor video in years, and with my complicated analysis on pretty useless notes in front of me.
.
So the video turned out fresh and funny, but on the information side it was a bit thin! Aware being punctual and thorough was not its forte, I already announce in the video, I would compensate by writing it out, quite possibly in a blog post.
Which is this.
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But if knowing Jon dances like Axl Rose at one point, ladies being snatched from behind the bar, and meme worthy speeches all time-stamped out for you, are all NOT need to know info for you?
You can skip the blog and just subscribe to my channel:
YouTube channel! Reviewing the 1995 Bon Jovi tour

For all your highly entertaining, yet stunningly incomplete Bon Jovi video reviews.
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I will not be (double) covering any of the anecdotes from my video review.
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And, disclaimer, even this written review is still incomplete and definitely does not do justice to the entire band, as my focus for the video review (hence: my notes) was on Jon Bon Jovi and his interaction with the audience.
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Having said all that, let’s start!
“Are you alive out there?!”
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Bon Jovi | 1st Night at Wembley Stadium | Fixed Audio! | London 1995
Wembley, London

23 June 1995

Setlist:

Classic 1995 opening, with the “two puncher” Prayer and Bad Name,
topping it off with a double layer of Wild in the Streets!

01 Livin’ On A Prayer [0:40​]
face paint & eye makeup Jon Bon Jovi:
Striking yellow or orange face paint on the cheeks, and dark eyeliner

02 You Give Love A Bad Name [5:45​]
03 Wild In The Streets [9:27​]

At [ 14:10 ] Jon jumps off the stage, shakes hands with the audience, puts a cowboy hat on, tosses it back into the audience, snatches a rose, clenches it between his teeth (in between singing his lines), providing excellent photogenic moments!

After Wild In The Streets [15:25] Jon always addresses the audience, and gets them excited for the 2 to 3 hours to come.
Jon indicates how special it is for them to be here, something that he will elaborate on later tonight.
He ends with:
“Fasten your seat belts and let me drive. Take it Hughy.”
Moving right into the bass line (from bass player Hugh McDonald)
of Keep the Faith ->

04 Keep The Faith [15:51​]

Jungle?
When I first started watching concerts with other fans, I always wondered why they were referring to “Keep the Faith” as “Jungle”.
But if you start watching at [ 19:36 ] you can hear this “Sympathy for the Devil” like intermezzo, and in fact a cover of that song was played here occasionally!, but you can clearly hear the same jungle noises Mick Jagger makes here, and Jon even sings:
“It’s a jungle out there, baby.
You ve got to watch your back, and I ve got to watch mine.
It’s a jungle out there, mama!”
And then dropping onto one knee, for a dramatic pause. And back up just in time at the microphone.
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05 Blood On Blood [23:17​]

Blood On Blood never sounded better than with these amazing acoustic openings! 

26:43
For those interested: Right here you can see there is a very large distance between crowd and stage, reminiscent of Live Aid, really.

26:55
Great showman-ship, when Jon stands tall at the mike!
Singing the legendary words:
“Bobby is an uptown layer.
And Danny is a medicine man.
But me?
I m a singer here…”

And the crowd roars: 
“In a long-haired rock n roll band!!” 

06 Always [29:16​]

Always is that moment when you realize you’ve just seen the greatest male performer of the 20th century.
And for those who are still in doubt, Jon has Dry County up the sleeve of jacket number 2, the first of the two red leather ones, which you will see later.

07 I’d Die For You [36:59​]

In Blood on Blood Jon Bon Jovi had already played the acoustic guitar;
But in I’d Die For You, Runaway, and a few more songs in this show, he plays electric.
At [ 37: 15 ] you see Jon and Richie opening the song, playing side by side.

Which brings me to the main unexplained difference between old and new Bon Jovi; Jon plays less guitar during shows.
For me, someone who rates music heavily based on the number of electric guitars and HOW HARD they’re being played!, I particularly miss what I will call “bad ass Jon” on electric guitar.
But I’d Die For You Wembley 1995?
Oh, yeah baby! 

27:27 – and up
Some jaw-dropping shots of Tico working those drums!
Few would pull this off! What an intensity.
And at 1:16:30 Tico shows he can even do this, whilst smoking a cigarette!

08 Blaze Of Glory [41:56​]
09 Runaway [47:37​]

10 Dry County [52:42​]

Okay, okay, okay! How do I say this without shouting?
I DON’T! WATCH THIS ONE! OMG! IF ONLY YOU WATCH ONE SONG FROM THIS ENTIRE SHOW LET IT BE DRY COUNTY!!!
The lyrics, the vocals, the dropping on tha knees, my friends!
The speech at 59 minutes!
I m somewhere between shouting and being speechless.

11 Lay Your Hands On Me [1:04:42​]

Lay Your Hands is when the sermon comes in! Or, as Jon puts it:
“Welcome to Jonny’s church of Rock n Roll”
It is personally my favorite Bon Jovi song live. And if you don’t get enlightened, redeemed and your soul saved watching this?
I don’t know what will!
But even then there’s still the Axl Rose-like swaying, dancing, at 1:12:44 to enjoy.
And a rerun to being saved since the next song is introduced with:
“I think your souls are about to be saved!
Tico, gimme that beat baby!”

Kick-starting their classic 90s two-puncher closer routine of “the main show”:
Sleep When I m Dead, and Bad Medicine!
Cause they re just getting warmed up, baby! 

12 I’ll Sleep When I’m Dead [1:14:28​]
“Now I gotta know; Are you still ALIVE out there?!”
That’s how Sleep When I m Dead begins, dragging the audience into a teasing game that will last for two Bon Jovi songs, three covers, 22 minutes and four giant blowup dolls! 

“Sleep” and “Bad Medicine” together, are like a small concert in and of their own right.
It’s the moment when there are the most fans on stage, two fully functional bars as far as I can see!
At 1:23:25 Jon Bon Jovi goes over to ask the female bartender for a dance, and it’s clearly not scripted, because initially she doesn’t even notice him, and he goes behind the bar, playing the chords to “Sleep” at the same time, before they wildly dance over the stage. 

With little acts of theater that involve the entire band, countless musical intermezzos, numerous forms of dancing and waves and waves of heavy ass guitars, there are really no words to describe what an incredible party these two songs are!

~ Jumpin’ Jack Flash [1:19:46​]
~ Papa Was A Rolling Stone [1:21:10​]

13 Bad Medicine [1:24:49​]

Part of their Rock Fest punchline, Bad Medicine is always where the boys take it home. But it has a hidden secret: 
If he feels like it, then all Jon’s heavy duty driving the ladies craaaazy is done RIGHT HERE!
There is an improv moment that Jon can drag out as long as he wants, and when there are no cameras there? 
No pending PG18 ratings? 
Oh, then he gives all…..

However, Wembley night one was meant for the dvd which would later become Live From London. Because of audio problems, they eventually chose night 3.

But this show was recorded to be that professional concert registration, so that explains why the sexual atmosphere is not from the level I usually encounter at audio only bootlegs!

But, Jonny would not be Jonny without making the most out of it;
And at 1:28:18
You get the whole act, about shaking your ass and becoming rich and famous!

And according to them they had to break it off because of Richie’s mom looking at them!

~ Shout [1:31:35​]

Encore 1:
14 Bed Of Roses [1:36:23​]

Now I m no fan of Bed of Roses, but it wasn’t until I started my 1995 review series, that I realized that 90’s Bed of Roses?
Oh, love that one!

Still not sure why it all makes such a difference, but Richie Sambora’s backing vocals for sure must be one reason why Bed of Roses 1995 was a killer one, to open the encore with.

15 Hey God [1:44:30​]
16 Rockin’ All Over The World (w/ Steven Van Zandt) [1:51:26​]

Encore 2:
17 Richie Acoustic Guitar Solo [1:57:41​]

Opening the second encore with a beautiful guitar song, and I have no doubt guitar playing Bon Jovi fans could tell me exactly which songs/ melodies he’s playing here;
This is the time to acknowledge both that Richie Sambora was such an important part of why 80s and 90s Bon Jovi was unprecedented.
And that my reviews, both this written one which was based on the notes I made to make a 10 minute video, as well as my video review and whatever I usually say in those videos;
Do not do him justice. Nor the other band members of Bon Jovi! 

My reviews are very Jon-dominated, and I think I can get away with it, since I only make these small videos and I emphasize I’m a normal writer and not knowledgeable on music.
But it’s this guitar solo, right before Wanted Dead or Alive, that makes me realize I really wish I had more musical background, and the right vocabulary to describe it.

Which brings me to the next song, and the only song where even I can hear Richie:

18 Wanted Dead Or Alive [2:00:17​]

In retrospect, I believe that although Richie does not sing all the time, that in essence? Wanted Dead or Alive is  a duet.
And also:
That there was something incredibly tragic and inauspicious, already written here between the lines of what may be the greatest Bon Jovi song ever.
That if paid better attention, the tragedy of Richie leaving the band in 2013, was already weaved in.

For those with ears to hear, the message was clear.

19 Someday I’ll Be Saturday Night (w/ Steven Van Zandt) [2:06:09​]

Encore 3:
20 Jon asking audience what to play [2:15:44​]
21 Good Guys Don’t Always Wear White [2:17:11​]

22 This Ain’t A Love Song [2:21:58​]

And so it ends; This Ain’t A Love Song

After three encores filled to the brim with rockers and straight forward partying, we’re dropped back into the drama filled final act of a 2,5 hour show.
Jon dances for us one more time.
Tico smokes another cigarette.
Richie looks more regal than ever; dressed fully in black, with a long coat and hat.

The fans on stage are long gone, the bar is deserted. 

And ultimately;
Jon throws the microphone stand to the side.
Drops on his knees, one final time, for the longest outro ever.
Singing, a wordless melody for minutes straight.
We hear Ritchie’s guitar, only the sound of strings and the wordless male voice singing about something that has never had vocabulary.
Yet we understood perfectly. 

This ain’t a love song.

~Suzanne
Rock Star Writer

I m reviewing the 1995 – 1996 tour:
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You can find the subscription button on this page, probably somewhere on the right.

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Bon Jovi concert reviews 1995-1996 Suzanne Beenackers YouTube

Show. Up. { Prayer Intro } | Live From London Series

I immediately noticed something was missing when I clicked on what looked like a YouTube upload of the dvd Live From London.
At 1 hour and 24 minutes, it was about right, although I remembered the dvd to be 90 minutes.
But hey!
Why would someone sneakily cut six minutes out of a Bon Jovi concert right?

And yet, the moment I watched the intro I knew Jon taking the stage was missing.

That you don’t start a dvd with Jon having magically appeared out of thin air at the mike, in his stone washed New Jersey jacket, black blouse with white stripes, chest hair luscious in a way we would never see again after it was taken off less than a year later for his movie role in The Leading Man;
Wearing his black bandana with white design tied around the head in the wide yet sturdy fold and wrap technique, only he and Axl Rose ever seemed to have mastered;
And the first words of this Magically Appearing Front Man being;
“Tommy used to work on the docks!”

That’s now how it works.
There is a “before”.
There is a leading up to.
There is anticipation.

In the previous chapter I referred to the long audience shots clapping in “We Will Rock You”-style.
And you don’t let the viewer wait, watching a sea of clapping hands, only to then cut to-
Oh.
Wait.
He’s already there.

So I knew the 1 hour 24 minute concert version I had found on YouTube was not the real dvd; It had been tampered with.
And I was right.
Both a YouTube clip of “Livin’ On A Prayer” from that concert, which I have included at the top of this post,
as well as the full 90 minute show Live In London which is available on Vimeo, and which I have included at the bottom of this post,
show the full intro of Livin’ On A Prayer.

We see Tico Torres standing behind his drums in a white vest, clapping with the crowd.
And then the camera shot from over the crowd, retreats back into the darkness of the side of the stage, we’re looking into the sun.
We see the silhouette of a tall, rangy man, walking up to the edge of the stage.
Sharp cut to a close shot at eye level:
It’s
Ritchie Sambora!

He takes a bow, rising back up, his small round sunglasses mirror the Wembley stadium and the clear blue sky.
Long dark mane, and long black coat adding to a rough cowboy-like look.  
He gives the crowd a battle cry; “Yeah!”
Fist pumping in the air.

There is tangible concentration when the musicians set up the almost monotone, slow moving base sound with Tico Torres using a mark tree, a percussion instrument that consists of a set of hanging metal-like pipes.
Until after a few seconds that moment we have all been waiting for when Richie folds his mouth over the talk box, and gives us the signature sound that will become Livin’ On A Prayer.
Richie’s almost synthesizer like tones join the auspicious baseline that the other instruments have set up.
The sounds from the talk box moves fluently up and down, as if gently caressing us.

Until we here the thin sound of a drumstick to the cymbals:
“Tick tick tick”

[….]

“Tick tick tick”

The Livin’ On A Prayer drums take over, a  drum roll if ever there was any!

And a sound that I can only describe in a way that does not do justice to what many consider the best song of the best rock n roll band since the 80s:
– in my defense; English is not my first language! – but here we go:

Oompa oompa oomp!
(repeat endlessly)
(keep it going)
(trust me on this)

And it is there! On the sounds of Oompa oompa oomp! that the man of the hour, the rock legend Jon Bon Jovi takes the stage with a run that goes into an energetic jumping up and down, legs wide, two feet jumping in the air again and again.
A wide grin over-viewing the stadium and just like Richie he has his fist in the air!

He stands with the microphone and in his talking voice, he delivers us the intro that we all know from the thousands and thousands of times we’ve heard this song:
“Once upon a time.
Not so long ago.”

All this (I m now pointing and waving at the past paragraphs describing the epic rock star beginnings of this show ) was not included in the dvd upload I found on YouTube, and with that one of the biggest takeaways from this show was lost;
How to make an entrance.
How to consciously, and conscientiously, show up. 

I once attended a yoga workshop from an internationally acclaimed yoga star slash yoga guru, which I ended up hating and considered a waste of my time and money. And yet the lesson he taught in his first five minutes is one I will never forget:
What is the basis for every relationship?

The answer was: You show up.

It is THAT choice, where you make the first commitment.
Either you give away your power, if you show up for things you don’t want.
Or you use it to show up for the things that you do want.

Show up for your yoga, was what this teacher hinted at.
But it goes for every area of life; Are you showing up for it?
Are you even THERE for the thing or the person or the hobby or the business or the audience or the 80.000 fans, to have a relationship with you?

And then, if you ve got that, if you know and decide that from now on “Hell Yes! I m gonna show the f up for my art, for my family, for my dreams, for my fans, for my LIFE!”
Then this opening sequence of Bon Jovi in Wembley 1995 uplevels that for you.

Make your showing up as deliberate, as epic, as full of intent;
As layered, as exciting, as full of bouncing, pounding energy, as Bon Jovi starting their Wembley show, and you really are living aright.

You’re living with Oompa oompa oomp. 

Repeat endlessly.

Keep it going.

Trust me on this.

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~Suzanne
Rock Star Writer

new: LIVE FROM LONDON 

Just. Show. Up. { Prayer Intro }
is the second chapter from
Live from London
Take the stage, rock your life and rule the world”
Click on “Live from London” to read all chapters.

Subscribe to the blog, to get these posts in your mailbox.
You can find the subscription button on this page, probably somewhere on the right.

Rock Star Writer on Facebook
my personal Twitter account

And follow my Bon Jovi 1995 Concert Series (Stories)
at Suzanne Beenackers YouTube

concert upload on Vimeo (including the moment Jon shows up) 

 

Get Ready To Rock! { We Will Rock You }


Click the video to see the first minute(s) of the show.

The first music from the Bon Jovi concert at Wembley, 25 June 1995, was not Bon Jovi.

It was the beat of what is probably the intros of intros:
We Will Rock You.
By Queen.

For the third night in a row 85.000 people of a sold out Wembley, start stamping their feet, clapping their hands, roaring their voice.
The camera zooms over the audience that is already more than ready to rock and roll!

And I have no idea if this is my perspective but whether it’s 1995 footage or 2019;
If I see a sold out Wembley on screen my first response is something like:

😱
Followed by
😨😵😭
Maybe that’s “just” what a sold out stadium looks like, but on the video you can see that if there were two London mice who wanted to attend, their safety would not have been quaranteed.

To me a sold out Wembley looks like a sold out Wembley plus an extra 20.000 people.

But having said that;
It does work on screen, and I think it works in feeeeeling the vibe as well!
What’s better than stamping your feet, screaming, clapping in anticipation of Bon Jovi?
Doing it in a sweaty crowd, a sold out stadium, and add a few extra tens of thousands of people!

Just like a pilgrimage, you cannot tell this story by just focusing on how it ends.
It’s about the journey.
For a Bon Jovi crowd that journey started long ago, by religiously listening to their music.
Over and over, the same songs like prayers, sung along and felt in the heart and with the very soul.

Like faith, the music was already fully internalized, long before the pilgrimage began.

Then the announcement that the band will come and the decision to go.
First you have to buy the ticket, which is not always easy.
Followed by months of anticipation.
The final days are marked by detailed preparations;
What will you wear? What do you need? What can you bring and what not? 

You travel, could be hours in the car or using public transportation.
The most difficult part is always the last bit;
The final miles are the most likely for a bus to not be there, or for taking a wrong turn if you drive there yourself.
It can easily add an hour to your journey if you miss a cue here.

If you’re early at the stadium, there is more suspense!
Because the gates do not open until 3 P.M. and you never know which gate opens first. Nor is it ever finite if there is or is not a “list” to get in first.
And if so if you want to join the list and be bound by it;
Or take your chances and go rogue.

If you’re an early bird who wants to get first row, the choices you make upon entering, and how they work out, will be nerve wrecking.
There is no way of telling in advance who will “get it” (and at what price! early access packages are hundreds of dollars extra), and who will not get to first row despite being early on the site.
Every row or entrance, has their own risk/ benefit profile.

This uncertainty makes the opening of the gates (outer-gates, and inner-gates and security gates) the most difficult part of the day for people who want to be first row, because you just have to accept you have no control over it.
You can only do your best and hope for the best.

When you’re inside the venue, ever more hours of waiting. 
Listening to the support act.
Until finally;
Whether you are first row and have been on your feet since noon.

Or whether you came in late, immediately leaving after work as soon as you could, but got stuck in traffic and now you actually RAN from the parking in a nearby farmer’s meadow, all the way to the stadium, because you didn’t want to wait for the shuttle and were hellbent to be on time!

You made it.
You ALL made it.

And.
Finally.
You.
Hear.
The.
Beat.

Boom, boom.
Hey!

You clap your hands.

Boom, boom.
Hey!

You stamp your feet.

Boom, boom.
Hey!

You, and everybody around you, as far as the eye can see.

Boom, boom.
Hey!

85.000 people.

Boom, boom.
Hey!

You.
Are.
Ready!

You are ready to rock.

~Suzanne 

new: LIVE FROM LONDON 

Get Ready To Rock! { We Will Rock You }
is the first chapter from
Live from London
Take the stage, rock your life and rule the world”
Click on “Live from London” to read all chapters.

Subscribe to the blog, to get these posts in your mailbox.
You can find the subscription button on this page, probably somewhere on the right.

Rock Star Writer on Facebook
my personal Twitter account

Reboot/ New videos expected at Suzanne Beenackers YouTube

To me this video really illustrates the power of the song We Will Rock You, sung in a big stadium:

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LIVE FROM LONDON | new series coming soon

I think there comes a time in everyone’s life when something you’ve been postponing for a while, and then some, because you had so many other things to do and you were limiting yourself to for once finish what you already started, before starting something new, when there’s suddenly a sense of urgency and that something needs to get done NOW.
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For this blog the smart thing to do was to update all the posts, remove missing links, provide context for projects that had turned out differently or series I stopped.
And so on.
Not to write a book on all the Rock Star ideas about freedom, sex and purpose, something I have been wanting to do since I started this website a year ago, and successfully kept at bay.
So far anyway.
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But feeling inspired to start something new or desiring something that will take over your life doesn’t have to be related to writing.
It can be anything that you can ignore at the beginning, or rationalize yourself out of for a long long time;
But that is now following you around and has became so annoying that it is less of an effort to hear it out, and acknowledge its presence, than it is to keep hoping it will magically disappear.
For example if you have a deep desire to have a child, you can rationalize yourself out of it for a while but ultimately you will just go for it, despite your circumstances. 
Powerful desires have a way of returning to you, always.
Which is, by the way, also why I m against talking yourself into doing something because the right things will talk YOU into hooking up with them.
Being it or they, or babies; The right things will call you out loud and clear.
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The desire may also be for someone you can’t stop thinking about fondly. The first 6, 12 or 24 months you are hoping the feelings will fade.
But do they? 😉 
.
From that perspective I ve got a pretty good deal actually.
It could have been a person I had fallen in love with!
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What is a craving for a trip around the world for one, and a desire for a partner you can’t have for the other, is usually an idea for writing a blog post for me.
Or- which explains why I ve been holding this one at bay for a year – a desire to write an entire book.
The title has changed a bit in the past year, as did this account/ the url of this site. But I think it was because the idea wasn’t complete yet, that I was able to postpone it.
And that I was right, to postpone it.
Ultimately it got better, the pieces came together and now I know the time has come:
“This is it!”
The book I m going to write will be called Live from London, and will be inspired by the 1995 VHS, now DVD, Live in London (sometimes also called Live from London) by Bon Jovi.
The past 12 months I could feel all the knowledge, or the things I wanted to talk about, yet it were all just “things”.
In order to glue them together I would have to come up with some largely fabricated logic.
Like “12 Steps to Rock Your Life” or whatever.
And that is really not my style.
.
I ve never stuck to a step by step program in my life.
I ve never done one exercise a coach gave me, I ve never thought about any of the questions at the end of the chapters in Self-Help books;
I never journaled on the things I was “supposed to” journal on.
.
So to clean up and polish my first personal development book as some respectable, dry, serious, A to B, join the dots system or model?
Not a good idea.
.
But when I started watching the dvd Live From London all the lessons just started popping up in my head.
I have been reaching for my notebook multiple times a day; E
very time a life lesson presented itself, tied to what I had seen on the dvd.
.
So that’s what I will be doing;
Write the chapters here on this blog, offering inspiring perspectives and stories I ve been wanting to share for a year, but now I can do so to the backdrop of a fired up Wembley stadium in 1995.
.
You can expect the first post before the end of the week.
The subscription button is somewhere on this page, probably on the top right.
.
So see you soon!
And rock on!
.

~Suzanne 

new: LIVE FROM LONDON 

This new project has got its own page:
Live from London

The book is written online –
You can find the subscription button on this page, probably somewhere on the right.

Rock Star Writer on Facebook*
my personal Twitter account

Reboot/ New videos expected at Suzanne Beenackers YouTube

* sadly enough all referrals/ links to the Rock Star “Yoga” page on Facebook (url), have become invalid. I intend to start curating this blog, and update the links.